Shadowplay, the gritty dramatic thriller series from The Bridge co-creator Måns Mårlind, is to get its world premiere at the 60th Monte-Carlo Television Festival in June.
The Shadowplay cast — including Taylor Kitsch (Waco) and Michael C. Hall (Dexter) — and creators will attend the screening of the first two episodes on June 19, while the premiere will be followed by a red-carpet opening ceremony.
The show is produced by Studiocanal’s Tandem Productions and BRON Studios in co-production with ZDF. Mårlind conceived Shadowplay as a 16-episode series, told in two chapters. The initial eight-episodes shot last year in Prague, while the second half will go into production in 2020.
The character-driven thriller centers on the story of Max McLaughlin (Kitsch), an American cop who arrives in Berlin in the summer of 1946 to help create a police force in the chaotic aftermath of the war. His mission is to take down “Engelmacher” Gladow, the Capone of post-war Berlin, and find his missing brother who is killing ex-Nazis in hiding.
Mårlind said: “To be able to premiere this passion project of mine together with members of our incredible cast and the producing partners Tandem and Bron in this beautiful and prestigious setting is like a dream come true.”
“I think I was in too deep,” the actor says of portraying the cult leader.
Taylor Kitsch nearly reached a breaking point while prepping for his lead role in new TV miniseries Waco, about the events that led to a now-infamous standoff between cult leader David Koresh and the FBI back in 1993.
“I almost pulled out a month and a half [before the filming began],” he told Rolling Stone during a recent visit to our New York City offices. “I think I was in too deep. You spend eight hours a day in this 1,000-square-foot apartment in Austin playing guitar and reading about this tragedy every single day. It just started to really weigh on me. I had no outlet. And I was probably just scared shitless and panicked.”
Kitsch said he even went so far as to approach executives about possibly dropping out of the series because of the psychological gravity of the role. “I didn’t get sleep that day and was feeling vulnerable, and [I] was just like, ‘Hey, I wanna know the process of the repercussions if I pull out right now, because I don’t know if this is a story I want to tell.'”
In the end, Kitsch did push himself past the point of uncertainty to play Koresh, but not before really working to understand the man who has been called a con artist by some and crazy by others.
“The biggest struggle I had, you know, was the why,” he said. “If I’m going to play anybody, let alone someone like this, and how enigmatic this cat is, you have to try and marry yourself emotionally to him and his belief system and everything else that goes with that.”
In the Paramount Network’s miniseries, Kitsch plays Koresh, a man who claimed to be the final prophet of the Branch Davidians religious movement. He and 25 followers set up camp at Palestine, Texas, 90 miles from Waco, in 1985. There, they lived in tents and buses for two years with no running water and AC.
“I think he grew up with no sense of control, no sense of self or purpose really, and that abuse kind of went up until he moved away at 14,” said Kitsch, who lost 30 pounds and donned a mullet to transform himself for the role. “And then he memorized the Bible by 17 and then [he] create[d] this environment that [he had] absolute control over. I just want to show as much as I can who he was because he was more than what was sensationalized during the [time].”
Watch the video above and see what else Kitsch had to say about playing the polarizing figure, continued debate over the standoff, his recent encounter with Bruce Springsteen and Bono, plus his thoughts about ever reprising his role as Friday Night Lights heartthrob Tim Riggins.
Taylor Kitsch has transformed into David Koresh for the Waco miniseries, but he still has questions about the Texas cult leader‘s motivations.
The actor tells PEOPLE Now that if he’d had the chance to meet Koresh — who died along with 74 other Branch Davidians in a 51-day standoff with the FBI and ATF on April 19, 1993 — he’d ask him, “Was it all worth it, in retrospect?”
“He’s quite literally the definition of a martyr,” says Kitsch, adding, “I think that would be the first question but there would be many.”
Kitsch also opens up about learning to play guitar for his turn as Koresh, sharing, “I played two or three hours a day, singing lessons in L.A., and then I have an amazing guitar teacher in Austin, [Texas] like two blocks from my apartment.”
Now, he’s always playing: “I have [the guitar] with me every day, it’s in my hotel room, I play at least an hour, two hours a day.”
Kitsch previously opened up to PEOPLE about playing Koresh, revealing, “It was four-plus months of prep for me.”
“From losing just around 30 pounds, to listening to hundreds of hours of phone calls of the tapes with [FBI negotiator] Gary Noesner and the FBI and the ATF to Child Protective Services, to reading David Thibodeau’s book [A Place Called Waco: A Survivor’s Story] a few times.”
The series also stars Michael Shannon as lead FBI negotiator Gary Noesner, John Leguizamo, Paul Sparks, Rory Culkin, Melissa Benoist, Andrea Riseborough and Julia Garner.
Waco airs on Wednesday nights at 10 p.m. ET on Paramount Network.
The actor talks with THR about how he overcame misfires ‘John Carter’ and ‘Battleship’ and, yes, weighs in on the long-rumored ‘FNL’ movie.
Taylor Kitsch has played real-life figures before, but none quite like David Koresh. The leader of an extreme offshoot of the Branch Davidian religious movement — who perished along with 81 of his followers during the infamous 1993 raid on his Waco, Texas, compound — is one of the most controversial names of that decade. For Kitsch, who has spent the majority of his career playing the hero, bringing such a dark and complex individual to life presented an opportunity to prove his mettle as an actor. It’s the kind of transformative role that, if received well, can pay career dividends down the line.
Indeed, there’s a lot riding on Waco, the six-part miniseries that will be the first scripted original to air on the rebranded Paramount Network (formerly Spike TV). It’s also the first producing credit of Kitsch’s career (he served as an executive producer on the series), which — along with his forthcoming feature Pieces, which he’s set to write, direct, produce and star in — allowed him more control over the finished product than ever before. It’s an understandable impulse for an actor who suffered back-to-back box-office failures earlier in his career (John Carter and Battleship, both released in 2012), but Kitsch paints his burgeoning multihyphenate status as a natural evolution that would have happened even if, in his words, John Carter had made “a billion dollars.”
Still, Kitsch’s choice of roles over the past several years has demonstrated a growing willingness to take risks as an actor. After crashing and burning on the blockbuster circuit, he refocused on his craft, taking roles in HBO’s True Detective season two and in Ryan Murphy’s star-studded TV movie The Normal Heart. Even more than those projects, Waco — created by John Erick and Drew Dowdle (Quarantine, Devil) and co-starring Michael Shannon as FBI negotiator Gary Noesner — represents his most earnest stab at professional respectability yet, and Kitsch clearly understands its potential to launch his career in a whole new direction.
In advance of Waco’s Jan. 24 premiere, Kitsch talked with The Hollywood Reporter about humanizing a modern-day bogeyman, navigating the show’s unfortunate Weinstein Co. connection and why he’ll never take part in a Friday Night Lights reunion.
David Koresh is someone who has been demonized in the public imagination, and you have the unenviable task of making him sympathetic in some ways. In researching who David was, what did you learn about him that surprised you or challenged your perceptions?
This whole event really was just an amalgamation of ego, and one wrong decision after another on both sides. And obviously posturing in the worst way. I had no idea he was the musician he was, and his mom was 14 [when she gave birth to him], he was abused growing up. Obviously, that lends a hand to a lot of other things in shaping his own mindset and how much he wants control over his own environment. Hence him creating his own environment. And not just with scripture — with the wives, with how he would test and manipulate, and how shifty he was. Someone who memorizes the Bible by the age of 16 or 17, there’s something there that needs to be dealt with. That’s really what I focused on, him blatantly overcompensating for things that maybe he felt he never had as a child by creating that environment.
We kept going back to that purpose, and I think that’s what is relatable to anybody, religious or not, believer or not, everybody searches for this purpose. [It’s] something to wake up to. Whether it’s as mundane as losing five pounds, or if you want to do a 180 in your life. And I think from my experience, reading and talking to [David] Thibodeau [the author who wrote the book on which Waco is based] and [lead FBI negotiator Gary] Noesner, Dave enabled that [for others]. And that’s a huge thing in my own life, having a sense of purpose every day. That kept coming back to me. You talk to Thibodeau, his drummer whom he recruited from L.A., to these people that were under Dave, to the letters, to the recruitment tapes, he gave them that, and in return he got that back as well. He was the Lamb of God. If he had nobody to give that message to, his purpose dissipates to nothing.
Did you talk to any of the former Branch Davidians in doing your research?
Absolutely. We had Thibodeau [who was one of the nine surviving Branch Davidians] on set every day I was on set, and I’ve read his book I don’t know how many times now. I was actually going to go visit him, and a snowstorm stopped me. He lives in Maine now, and he was Dave’s right-hand man, or one of them, and [his] lead drummer. And his stories are enthralling. He helped me mentally, from like my 2 a.m. texts to him while we were shooting to improvise the Psalms that Dave liked to have. There’s a beautifully tragic scene when Dave gets shot at the door twice and another man that was beside him gets shot, his father-in-law, and he ends up dying in the compound a couple days later. I asked Thibodeau and [Waco exec producer] John Dowdle to give me some kind of simple, beautiful Psalm, something you could hear Dave saying to this man on his deathbed as he asked to be released from everything.
You’re an executive producer on Waco. What was the extent of your involvement behind the scenes?
It was quite a bit. I loved it. You always want that creative outlet and to be heard. This is probably top three, if not the most fulfilling creative outlet I’ve ever had as an actor, just because of that environment. loved batting ideas around with producers and the cast.
The Weinstein Co. produced the show, though the company’s name has now been removed from the series in the wake of allegations against Harvey Weinstein. Were you shocked when that story came out?
Yes. I’d never met Harvey. I had literally no idea. He never came to set. He was more involved in packaging the show.
Having worked in Hollywood for as long as you have, is it one of those things where you’d heard rumors about him? How surprised were you when all of that came out in the press?
When you read those stories, you’re dumbfounded — or I was. I had no idea. I’d never worked with him. Whether you’re in the business or not, you knew he was a powerhouse guy who could throw his weight around in the room. I knew he was a ballbuster in the sense of negotiations.
In addition to executive producing Waco, you’ve got a movie called Pieces that you’re set to write, direct, produce and star in. How much of that has to do with previous points in your career where you were the star of projects that were perceived as disappointments, that you didn’t really have a hand in aside from being an actor. Is this your way of trying to take more control of your career?
Yes. The story of Pieces wasn’t derived out of “failure” of a box-office movie; it was a story that I would have written if John Carter made a billion dollars. It’s a story that’s been in me that I feel I just had to get out. I think any artist wants that creative control and that challenge and to work with great people like Pete Berg [with whom he worked on Friday Night Lights] and Taylor Sheridan. Being behind the camera will make me a better actor as well. It’s part of my growing process — and that’s a big reason to [play] a [character like] Koresh. I take a lot of pride in playing such different guys, and I love that challenge.
When films like John Carter and Battleship don’t work in the way that they were intended and you’re the face of the film, you take the hit for its failure in a lot of ways. After those movies came out, how responsible did you feel for their failure?
It stings. You want your voice to be heard, or you feel you’ve done everything you’ve can. If you’re the face of the franchise, you feel bad not just for yourself but the other cast and the whole process. Nobody goes out to make a movie to not do well. I put everything I had into it. The worst thing would be to look back and [think], “Man, maybe I should have prepped harder, maybe I should’ve done x.” You just don’t want to regret anything, and I don’t really have that. In hindsight, I wouldn’t be near the actor I am today if those movies did start raking in money. Because I signed two three-year contracts, more or less. I was on two multifilm deals with Battleship and John Carter. I’d be going into my late 30s just going back and forth with these franchises. I wouldn’t be the same actor I am now, because I wouldn’t have taken the risks, or I wouldn’t have the time to take the risks either. So, it’s a blessing in a way.
Peter Berg and showrunner Jason Katims have said that the Friday Night Lights film follow-up to the show is now off the table. You’ve said in the past that you never wanted to play Tim Riggins again, but was there ever a point in the process —
I said from day one that I don’t want to play him again.
Was there ever a time where you considered stepping back into that beloved role?
No. I mean, you play a guy for four-plus years, and I feel we dived into it enough and explored that whole thing of not just Riggins but the stories in Dillon, that I don’t know, I have such great closure and I think it ended on such a beautiful note that it’s just like, I honestly don’t know the point of doing it again. I have to look for new challenges as well.
How would you feel if they did end up going ahead with it without your involvement?
I wouldn’t be up in arms for a quarter-second. I would wish them all the best, and I would be curious and watch it. I’m grateful for that time. I know it was a springboard for me, and Friday Night Lights has got such a cult following. People still stop me all the time on the street to talk about Riggins, but I think it’s sometimes a beautiful thing just to let it be and realize that that was a time in your life where you grew as a person and as an actor. We had such a great set, and I still have amazing relationships with Kyle Chandler, Connie Britton and Derek Phillips, and that’s what I’ll take from it. There’s no point for me to just relive something that feels like it went off into the sunset in the right way.
It took Taylor Kitsch time to wrap his head around how to play David Koresh in “Waco,” the Paramount Network’s new six-part series about the siege of the Branch Davidian compound in 1993 that ended in fire and death.
The actor says he found there was much about the high school dropout turned leader of the Branch Davidian religious sect (or cult, depending on your point of view) hard to fathom. When Kitsch first told people he would be playing the role, he said he would hear things like, “That guy was crazy.”
“I knew I wasn’t going ‘crazy’ to play the role,” says Kitsch, who comes off as a pretty relaxed guy. “But you can’t just mimic him. I think the biggest thing was to go into it with the cleanest slate possible so you could get to his beliefs.”
John Erick Dowdle and Drew Dowdle. the executive producers of the series, say in casting someone to play Koresh they needed somebody who was likable, fun and warm to be around but who could then play the dark sides of his personality.
“Koresh was very different than Charles Manson or Jim Jones,” explains Drew. “People saw him as your cool older brother.”
For the role, Kitsch lost 30 pounds, studied guitar, learned to sing and studied Scripture. The Dowdles gave him audio and video of Koresh, of which there is plenty.
If you compare it to the tapes, you see that Kitsch nails the character. “His voice was so distinct. It’s in its way lighter than mine. So learning to sing helped me get to talk like him, and he could talk for hours about Scripture.”
Still, the key was trying to figure out how to humanize Koresh. As a child, Koresh was a victim of abuse, but that hardly explains everything about him. As Kitsch points out, Koresh had memorized the Bible by the age of 16 and would go on to publicly debate serious religious scholars. His speaking abilities attracted devoted followers who believed him to be a messiah. The Branch Davidians believed that end times were near.
Koresh told followers that a revelation instructed him to take multiple wives, so that he could father enough children to sit on the 24 heavenly thrones described in the Book of Revelation.
“You know, it’s difficult to write a character who tells everyone that they have to be celibate – but he’s going to be sleeping with their wives – and not make it sound ludicrous,” says John.
That wasn’t all. The sect leader reportedly chose multiple “wives” for himself from children as young as 11. There were also charges that Koresh physically abused children as a form of punishment.
One piece of source material for “Waco” was “A Place Called Waco” by David Thibodeau, who was one of the nine Branch Davidian members to survive the fire at the compound. Another was FBI negotiator Gary Noesner’s recounting of the 51-day siege in his book “Stalling for Time.”
“It’s hard not to read both of these books and not have empathy for both sides, no matter what your preconceptions might be,” says Drew. “We tried to tell the story from show both sides, warts and all.”
Thibodeau (played by Rory Culkin in the series) actually met Koresh at Guitar Center in Hollywood a few years before the siege, a fact that the Dawdles loved but logistically weren’t able to work into the show. The sect leader had a cover band – you see them playing The Knack’s “My Sharona” – and Thibodeau was a drummer.
February 28 will mark the 25th anniversary of the U.S. Bureau of Alcohol, Tobacco, and Firearms’ raid on the Mount Carmel compound, about 10 miles outside of Waco. The Branch Davidians had been there for years, but under Koresh they had built up a store of weapons and paramilitary gear that began to draw the attention of the government agency.
The raid turned out to be a fiasco. Four ATF agents and six Davidians were killed during the two-hour firefight, and when the agency failed to take the compound, the FBI moved in and began a siege.
“I think in a way it was a publicity stunt gone wrong,” says John. “I think the ATF thought people are going to hate them, so they wanted to make a big show of taking them down.”
Both sides were dug in by the time FBI agent Gary Noesner (played by Michael Shannon) arrived at Mount Carmel to try to negotiate a peaceful outcome. “I couldn’t get David Koresh and my on-scene commander to act reasonable at the same time,” Noesner says.
The agent adds that the reason he joined the project was “it attempts to show both sides and the humanity on both sides. There were good people inside. There were good people outside. Just a very tragic set of circumstances contributed to the negative outcome.”
A quarter of a century later, Thibodeau still expresses his admiration for Koresh, whose real name Vernon Howell
“He was definitely very complex. He had sides to him that you just wanted to know deeper, but after 25 years, you read a lot of other things,” says Thibodeau. “I think that the universe is eternal for a reason. And I think everyone is going to have to face their maker, including David Koresh.”
The 51-day siege ended on April 19 when the FBI made a final assault to remove the Branch Davidians by force. During the fight, the church building caught on fire, and 76 people inside died, including Koresh, his “wives,” and children.
The reasons for the assault and what happened exactly remain in dispute, but the tragic event was cited by Timothy McVeigh and Terry Nichols as a motivation for the bombing of the Federal building in Oklahoma City bombing exactly two years later.
CBS has already done a documentary about the event, and A&E is planning one that will air later this month.
The Dowdles are wondering what the reactions will be to the series after it premieres Wednesday on the Paramount Network, which had been known as Spike until last Friday, and whether it will draw debate.
“So far the people we’ve worked with on both sides say that they appreciate us telling their story, but that the other side was worse,” says Drew.
What: Six-part series about the siege of the Branch Davidians compound in 1993.
When: Premieres 10 p.m. Wednesday.
Where: The Paramount Network
This year marks the 25th anniversary of the horrific conflict that took place in Waco, TX between members of the cult known as the Branch Davidians, led by cult leader David Koresh, and the ATF (U.S. Bureau of Alcohol, Tobacco, and Firearms). The agents were given an order by then-Attorney General, Janet Reno, to intervene at Koresh’s compound in order to seize an illegal weapons stockpile kept by the cult. As a result, a firefight and fierce 51-day standoff took place outside of the compound that ended in complete tragedy with the Davidians, at the order of Koresh, burning their entire compound with everyone inside it to the ground. So much has been said over the years, as many believe that not only were the Davidians in the wrong for what they did but that the government had also violated their rights during this siege.
It was a complete mess.
This sad moment in American history has been adapted into a brand new miniseries titled “Waco” with Taylor Kitsch portraying David Koresh. This miniseries was written and directed by the Dowdle Brothers (No Escape) and will premiere January 24th on the newly minted Paramount Network. The series also stars Michael Shannon as Gary Noesner, the FBI negotiator who tried to de-escalate the conflict at Waco, John Leguizamo as ATF agent Jacob Vazquez who went undercover with the cult before the siege, and Rory Culkin as David Thibodeau, a survivor of the Branch Davidians. I caught up with Kitsch to find out what it was like playing the infamous cult-leader.
How much did you know about the history of Waco before signing on for this project?
“I think was, like so many people, that I’m going to say I knew like 99%. I get a call from the agency saying ‘the Dowdle brothers want to meet you and they are thinking of you playing Dave Koresh. Will you go sit down with them?’ You quickly turn to Google and Wikipedia and start reading up on it. You go through the whole gamut of everything. All of the emotions that go with that. I was flattered and then, of course, I said ‘yes’ to the meeting. We had an amazing two-hour meeting and we got along super well. The more they actually told me about what actually happened the more enthralled I was. A few weeks later, I got the role. Then the actual research started. I couldn’t have been more happy and excited to have taken on that role. The writing is really strong and obviously this a character you dream of as an actor.”
What was it like getting into character to play David Koresh?
“I started prep on January 2nd and hit camera in late April. It was beyond scary. Learning to play the guitar and sing (David Koresh played and sang in a bar band with fellow members of the Branch Davidians) and obviously diving into his whole story. Diving into David’s home videos and hundreds of hours of calls. Reading David Thibodeau and Gary Noesner’s books (‘Waco: A Survivor’s Story’ and ‘Stalling for Time: My Life as an FBI Hostage Negotiator’). You just try to take in as much information as you can. Then obviously losing the weight is just a part of it. It was scary, to be honest, but I think that gets the best out of you.”
Those scenes of Koresh playing in his bar band kind of humanized him for me in a way.
He took it so seriously! He actually recruited Thibodeau from L.A. to be in his band. Dave was really, really serious about his music. I think that the beauty of this story is that you’re going to see every side of him. I think that’s what the Dowdles did so well. I think when you’re tackling someone like this, that’s the point. You wanna show every side of Dave for who he was before, after and during the siege. It’s just so much material so you just have to get myopic on certain parts. I think every actor’s first question is: ‘why, why, why?’ You try and wrap your head around and not oversimplify it. Some of those questions will never be answered because he isn’t here anymore and because there are still so many of them. You just do your research. You lock everything else out and just get that tunnel vision. Which is why you do it, for that process. I really enjoyed it and it opened my eyes to a lot of things.
Both sides of this standoff, the Branch Davidians and the ATF, could be blamed for how horrible everything played out at Waco. The show doesn’t pull any punches on showing how both sides did not come out of the situation clean. Did you have any sympathy for Koresh while playing him?
“Yes, to be blunt. For all of the Davidians. The kids and their families. Obviously, it’s an amalgamation of ego on both sides. Just one wrong decision after another. It’s a tragedy. I truly believe that the end didn’t have to happen that way. Not that it’s about sides or anything. I think what we do in this is play it all out as matter-of-fact as much as we can and allow the viewers to make their own decisions. I think that was super important and we were really conscious of that while filming.
2018 marks the 25th anniversary of the standoff in Waco, TX. What do you think is Waco’s legacy?
“There was a huge injustice there on so many fronts… As for the legacy: I think that’s up for discussion. Which is the beauty of it as well. You take all of those things in and hopefully we can talk about it and raise awareness that one kind f*ck up after another lead to this. On both sides! You watch some of the hearings they had on capital hill and see that there were some biases in it and the political game being played at its best. That’s what’s scary as well. For David’s legacy? I feel like there is so much more to be said. I wish he was still around so we could pick his brain and talk to him, and the rest of the Davidians, so that we could learn more so that it never happens again.”
Jeff Bridges and Taylor Kitsch have rounded out the ensemble cast for Black Label Media’s untitled firefighter film that currently stars Josh Brolin, Miles Teller and James Badge Dale.
Black Label will also continue its strong partnership with Lionsgate, which now has worldwide distribution rights, including North America, through its Summit Entertainment label. This news comes on the heels of the project’s strong international sales at the Cannes Film Festival.
Lionsgate seemed like the obvious home for the project given Black Label’s strong ties to the studio following the success of “Sicario” and the upcoming Ryan Gosling-Emma Stone musical “La La Land.”
“Tron: Legacy” helmer Joseph Kosinski will direct the film, which follows the Granite Mountain Hotshots, a group of firefighters that faced one of the deadliest wildfires in history in order to save an Arizona town, resulting in the tragic death of 19 crew members. Kitsch and Bridges will play firefighters in the pic.
Ken Nolan developed the story on spec with the producers.
Lorenzo di Bonaventura, Erik Howsam, Conde Nast Entertainment’s Jeremy Steckler and Dawn Ostroff, Mike Menchel, Black Label Media’s Molly Smith, Trent Luckinbill and Thad Luckinbill are producing the film. Black Label is financing.
Di Bonaventura also has “Deep Water Horizon” on the pipeline with Lionsgate.
Kitsch most recently appeared in HBO’s second season of “True Detective” opposite Colin Farrell and Rachel McAdams. He is about to make his directorial debut with “Pieces,” which he will also star in. He’s also attached to topline “The Death and Life of John F. Donovan” with Jessica Chastain.
He is repped by CAA and Untitled Entertainment.
Bridges is coming off strong reviews following the premiere of his heist film “Hell or High Water” at Cannes. He is repped by CAA and MGMT Entertainment.
Black Label Media’s Molly Smith, Thad Luckinbill and Trent Luckinbill have several other high-profile projects in production/pre-production, including writer/director Danny Strong’s “Rebel in the Rye,” starring Nicholas Ho